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GDE720 W8 | Workshop Challenge

April 22, 2020

BEYOND THE BIG FIVE: The Unaccounted Women of the San Francisco Psychedelic Design Era

This week’s challenge was to

  1. Design a visual synopsis of your publication, to include the following:

    • Front cover (with title)

    • Chapter opener

    • Two double page spreads

    • Back cover (using your previously written short synopsis)

  2. Your final design should include your full 3,000-word text and original, self generated images.

  3. Write a short paragraph about the methods by which you might fund, promote and launch your project, if you were an independent author.

DESIGN APPROACH

I want to truly reflect the 1960s Psychedelic Design Era - its nod to the Nouveau Art movement - as well as the uniqueness of the concert promotion posters through an expression of typography, print and bindery effects, and bold color. My goal was to create a bespoke collector's item for those interested in women's contributions to design during this unique period of history. The women of this movement made an impact on this time in design history. I aimed to honor them with a bold design including a cover that evokes feminism, strength, and beauty.

The design includes an original art nouveau piece from the early 1900s that I adapted to suit the 1960’s design era. The illustration evokes a feminine quality, but not at the risk of losing the strength and impact of the contribution made by these women. The butterfly fairy extends nearly the entire expanse of the cover and stretches out from the main title. Her feet point the reader to the subtitle and main context of the piece.

The typography chosen for the piece leverages the typographic designs of psychedelic design era of 1960s San Francisco. The color palette was purposefully vibrant and bright. The interior layout is clean, and straightforward to allow for the explosive creative of the subjects truly sing.

The entire book is incased in a holographic foil hot stamp slipcase with thumb cuts and a hot purple painted edge, sure to grab the attention of the intended audience.

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PRODUCTION AND PROMOTION

This book's target demographic are designers, rock and roll enthusiasts and supporters of women's rights to equality. The production of the book would be in an initial short run of 500 books working with Bay Area print and bindery specialists such as the San Francisco Center for the Book, The Key Printing and Binding, and The Aesthetic Union Letterpress.

The book set would include a hot foil stamped exterior slipcase with thumb-cut openings with holographic foil and a hot purple painted edge. The book itself would be a charcoal grey cloth again with a holographic foil hot stamped front and back covers. The interior of the book would be produced with a split fountain interior bookplate with another holographic foil hot stamp. The interior pages would be printed on a 100lb text weight bright white smooth opaque paper. 

A Kickstarter campaign will be used to help drive promotion and fundraising for the initial print run. Additional promotions via the local record stores such as Amoeba Records in the Haight to sell alongside their vintage poster collections. Social media and a microsite for the book would also be utilized for the promotion of the book. A limited edition poster could be a value-add for early Kickstarter backers.

REFERENCE:

Lewis, A., (2016) So You Want to Publish a Magazine. London: Laurence King

Chapter 01. So you want to publish a magazine?
Chapter 02. Choose your own adventure
Chapter 05. Ink and Pixels

Ambrose, G., (2015) The Layout Book. London: Bloomsbury

Falmouth University (2018). Visual Writing: Design & Critique| Lecture. History and Futures GDE720 19/20 Part-Time Study Block S2 (Falmouth, UK: Falmouth University)

A conversation with Bucks County's Bonnie MacLean, Fillmore poster artist past and present. (2015, September 28). Retrieved from https://thekey.xpn.org/2015/09/28/bonnie-maclean-fillmore-poster/

Ankeny, J. (n.d.). Stanley Mouse: Biography & History. Retrieved from https://www.allmusic.com/artist/mouse-mn0001838603

Biography by Norman Hathaway  September 17. (n.d.). 2018 AIGA Medalist Victor Moscoso. Retrieved from https://www.aiga.org/medalist-victor-moscoso

Bonnie MacLean. (n.d.). Retrieved from https://www.bahrgallery.com/artist-master/bonnie-maclean

Darrow, C. (2015, August 18). Soon-to-open Fillmore Philadelphia connects with the past through local poster artist Bonnie MacLean. Retrieved from https://www.inquirer.com/philly/entertainment/music/20150818_Soon-to-open_Fillmore_Philadelphia_connects_with_the_past_through_local_poster_artist_Bonnie_MacLean.html

Genzlinger, N. (2020, February 20). Bonnie MacLean, Psychedelic Poster Artist, Is Dead at 80. Retrieved from https://www.nytimes.com/2020/02/20/arts/bonnie-maclean-dead.html

Gleaves, J. (2015, July 7). California Dreamin'. Retrieved from https://www.theparisreview.org/blog/2015/07/07/california-dreamin/

Grafik. (n.d.). Victor Moscoso. Retrieved from https://www.grafik.net/category/archive/victor-moscoso

Hotchkiss, S. (2018, August 15). At 90, Barbara Stauffacher Solomon Has No Time for the Art World (and Never Did). Retrieved from https://www.kqed.org/arts/13839094/barbara-stauffacher-solomon-bampfa-art-wall

Ink and acid: The psychedelic design revolution. (n.d.). Retrieved from https://www.iconeye.com/design/features/item/12567-ink-and-acid-the-psychedelic-design-revolution

Jones, A. (2020, February 13). Legendary Rock Poster Artist Bonnie MacLean Dead at 80. Retrieved from https://www.pastemagazine.com/music/bonnie-maclean/poster-artist-bonnie-maclean-dead/

Legaspi, A. (2020, January 31). Wes Wilson, Iconic Psychedelic Poster Artist, Dead at 82. Retrieved from http://www.rollingstone.com/music/music-news/wes-wilson-psychedelic-poster-artist-dead-obituary-945946/

Marget Larsen. (n.d.). Retrieved from https://designobserver.com/feature/marget-larsen/39501

Marget Larsen. (n.d.). Retrieved from https://communityofcreatives.com/marget-larsen/

Marget Larsen · SFMOMA. (n.d.). Retrieved from https://www.sfmoma.org/artist/Marget_Larsen/

Morley, M. (2019, April 5). The Cost of Free Love and the Designers Who Bore It-Meet the Women of Psychedelic Design. Retrieved from https://eyeondesign.aiga.org/women-of-psychedelic-design/

Nick, & Nick. (n.d.). Rick Griffin. Retrieved from https://trps.org/artists/rick-griffin/

OZ magazine, London: Historical & Cultural Collections: University of Wollongong. (n.d.). Retrieved from https://ro.uow.edu.au/ozlondon/

Peace, Love and Posters. (n.d.). Retrieved from https://www.brooklynmuseum.org/community/blogosphere/2009/11/18/peace-love-and-posters/

Perry, C. (n.d.). Mari Tepper • The Rock Poster Society. Retrieved from https://trps.org/artists/mari-tepper/

Petty, F., Petty, F., Jansen, C., Jansen, C., Awwad, Y., & Awwad, Y. (n.d.). A multi-hyphenate pioneer: Barbara Stauffacher Solomon. Retrieved from https://www.foldmagazine.com/multi-hyphenate-pioneer-barbara-stauffacher-solomon

Petty, F., Jansen, C., & Awwad, Y. (n.d.). A multi-hyphenate pioneer: Barbara Stauffacher Solomon. Retrieved from https://www.foldmagazine.com/multi-hyphenate-pioneer-barbara-stauffacher-solomon

Pioneer: Marget Larsen. (2010, October 27). Retrieved from https://www.commarts.com/features/pioneer-marget-larsen

Popeson, P., & Department Preparator. (n.d.). MoMA: Consider the Rock Concert Poster. Retrieved from https://www.moma.org/explore/inside_out/2014/12/18/rock-concert-posters-at-moma/

Rick Griffin. (n.d.). Retrieved from https://www.bahrgallery.com/artist-master/rick-griffin

Rick Griffin. (n.d.). Retrieved from https://clubofthewaves.com/feature/rick-griffin/

San Francisco Rock Posters and the Art of Photo-Offset Lithography. (2010). The Book and Paper Group Annual, Vol 29.

Sinclair, M. (2017, June 9). The Big Bold World of Barbara Stauffacher Solomon. Retrieved from https://www.creativereview.co.uk/barbara-stauffacher-solomon/?nocache=true&adfesuccess=1

Staff, C. (n.d.). Visions Not Previously Seen: The Groundbreaking Design Work of Barbara Stauffacher Solomon. Retrieved from https://create.adobe.com/2018/3/28/visions_not_previous.html

Stanley Mouse. (n.d.). Retrieved from http://www.artnet.com/artists/stanley-mouse/

Stanley Mouse • The Rock Poster Society. (n.d.). Retrieved from https://trps.org/artists/stanley-mouse/

T Suggests: Sumptuous Scrunchies, Radiant Paintings by an Outsider Artist and More. (2019, February 22). Retrieved from https://www.nytimes.com/2019/02/22/t-magazine/barbara-stauffacher-solomon-sophie-buhai-hair-editors-picks.html

The Book and Paper Group Annual--Volume 29--Contents. (n.d.). Retrieved from https://cool.culturalheritage.org/coolaic/sg/bpg/annual/v29

The Summer of Love Experience: Art, Fashion, and Rock & Roll: famsf-digital-stories. (n.d.). Retrieved from https://digitalstories.famsf.org/summer-of-love/

TypeRoom. (n.d.). Supergraphics' Barbara Stauffacher Solomon legacy is ready to be told. Retrieved from https://www.typeroom.eu/article/supergraphics-barbara-stauffacher-solomon-legacy-ready-be-told

Victor Moscoso Biography and Top Artwork List: It's Primo Guide. (2019, May 27). Retrieved from https://itsprimo.com/featured/victor-moscoso-posters/

Weller, S. (n.d.). LSD, Ecstasy, and a Blast of Utopianism: How 1967's "Summer of Love" All Began. Retrieved from https://www.vanityfair.com/culture/2012/07/lsd-drugs-summer-of-love-sixties

Wes Wilson. (n.d.). Retrieved from https://www.bahrgallery.com/artist-master/wes-wilson

When Art Rocked: San Francisco Music Posters. (n.d.). Retrieved from https://www.sfomuseum.org/exhibitions/when-art-rocked-san-francisco-music-posters

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